Photo by Caroline Le Duc

LUCY WOODWARD releases her 7th studio album, Stories From The Dust (April, 2024). It is perhaps her most personal album yet, as crafted with GRAMMY Award-winning co-producer and co-writer of most of the songs on the album David Garza (Fiona Apple, Gaby Moreno). The tracks and melodies pull you toward Lucy’s poignant insights of matters of the heart in the world’s fragile present. David and Lucy spent several weeks in downtown LA writing these stories about women, the ones she grew up with—the fiercely independent and unconventional women who raised her—and those she merely observed from afar, whether in the sandbox or on the subway. Lucy soon found herself writing songs like she’d never written before, or had never even thought about writing before. Lucy says, “a different kind of songwriter in me snuck up on me and hit me hard.”

Recorded at Sonic Ranch on the border of Mexico and Texas, Dust features longtime friend and bass extraordinaire Tim Lefebvre (David Bowie, Rudder, Tedeschi Trucks) and keyboardist Larry Goldings (James Taylor, Maceo Parker, John Mayer) who wrote with Lucy for the album. Bill Withers and Nina Simone -- a few artists she already loved -- were her touchstones, and she added inspiration from the deep rivers of Americana, blues, flamenco singing and the sounds of the female voices from Sergio Mendes & Brasil ’66. Stories From The Dust is rootsy and melodic, continuing a decades-long streak of craft oriented, critically acclaimed full length albums from the New York native.

A little bit about Lucy Woodward

Born in London, Lucy spent her childhood in New York and The Netherlands. She is the daughter of two classical musicians - her father a conductor and composer, her mother an opera singer, musicologist, teacher and belly-dancer. She learned to play the flute (her first love), took piano lessons after her grandmother every Monday night and studied ballet. When she was 12, she sang in a karaoke booth at the mall and her life was forever changed. She (proudly) went to public high school in The Bronx and was always singing in choirs, girl groups and musicals. “Growing up in NYC you have subway cars to sing in and street corners to sing on so there was always a place to find yourself.”

At age 16, she was accepted into Manhattan School of Music where she studied vocal jazz but she dropped out after a year because she “loved bebop but didn’t sing it”. So she hit the streets and started singing in NYC’s West Village for tips, cover bands, TV commercials and writing songs before signing with Atlantic Records (2003) —a time period that saw her score a Top 40 hit with “Dumb Girls” and another Top 5 hit she wrote for Stacie Orrico called “(There's Gotta Be) More to Life”, earning her 2 BMI Awards. With her debut record in tow, she toured the US, Japan and New Zealand and appeared on The Tonight Show with Jay Leno.

But Woodward had no desire to be a pop starlet: her follow-up, the jazzier, punchier indie record Lucy Woodward is...Hot and Bothered was released in 2008 which “shed new light” on music-making again. Billboard described how “Lucy's a ball, equally appreciable for fans of melodic sing-along baubles and highbrow aficionados of finely honed musical composition. A sonic turnstile that flips through dreamy pop, jazz and bluesy bebop”.

The release was followed by Hooked!, an album of Brill Building meets Big Band songs, released on Verve (2010) -- which was largely produced by Tony Visconti (David Bowie). The album effortlessly moves across multiple genres, including gypsy-swing and rhythm & blues. Along with her self-penned compositions, the album showcases Lucy’s stunning covers of Peggy Lee’s Cuban-inspired “Sans Souci” and an Ink Spots-inspired a cappella Hoagy Carmichael classic, “Stardust.”

In 2012, Lucy was asked to tour as a band member filling in for the lead singer of Pink Martini learning songs in Turkish, French, Croatian, Japanese and Spanish with 6 days notice due to the lead singer China Forbes’ emergency vocal surgery. Her short time with the band included dates at Montreal Jazz Fest, Ravinia and working with the San Francisco Symphony for several performances. That same year, Lucy has also toured overseas sponsored by Armed Forces Entertainment, performing for American military units stationed in Spain, Italy and Turkey.

Lucy began to work with Snarky Puppy bandleader Michael League, who played bass in her NYC band at the time. She started opening for Snarky Puppy (with them as her backing band) and was featured on Snarky Puppy’s Family Dinner, Vol. 1 album singing the hauntingly bluesy “Too Hot To Last”. The album earned them their first Grammy and the song now has over 1.5 million views. League and longtime friend keyboardist/arranger Henry Hey (Forq, David Bowie) co-produced her fourth solo album Til They Bang on The Door which features the Snarky Puppy horns and organist Cory Henry (GroundUP 2016).

Lucy has performed with Big Bands all over Europe. She was a guest twice with Frankfurt Radio Big Band (arranged/conducted by Jim McNeely), the WDR Big Band (arranged/conducted by Chris Walden), Danish Radio Big Band, Odense Jazz Orchestra, Orchestra Jazz Siciliana and Orchestre de la Suisse Romande. In summer 2024, she will be releasing her first jazz orchestra album Lucy Woodward & The Rocketeers on GroundUP Music.

In 2018, Lucy teamed up with guitar virtuoso Charlie Hunter and toured extensively in the US & Europe. In 2019, they released their debut collaboration Music!Music!Music! and the follow up album I’m a Stranger Here was released in 2021. All About Jazz said, “Hunter and Woodward had enough chemistry between them to ignite a couple dozen Bunsen Burners”. More on their project below.

In addition to her solo career, Woodward has sung legends such as Rod Stewart, Celine Dion, Barbra Streisand, Chaka Khan and Joe Cocker. She has sung on movie soundtracks such as What a Girl Wants, The Blind Side, Music and Lyrics, Last Vegas and Ice Princess, with her rendition of the Bjork/Betty Hutton Big Band classic "It's Oh So Quiet”. “Quiet” was also in the 2020 trailer of blockbuster movie Birds of Prey and has been featured in numerous commercials and TV shows.

 

Photo by Eric Morgensen (Jazz Alley, Seattle)

A little bit about Charlie Hunter & Lucy Woodward

The musical partnership of guitarist Charlie Hunter and vocalist Lucy Woodward was forged under inauspicious, curveball-icious circumstances. In 2018, four days before Hunter was scheduled to start a tour with Silvana Estrada, her visa paperwork didn’t come through and she couldn’t enter the country. Hunter reached out to Woodward, whom he knew through their mutual friends in Snarky Puppy and she was game, even though they only had about 72 hours to build an entire setlist. Woodward says, “We went back and forth with about 30 ideas and came up with a set, had a two-hour rehearsal, and did our first show the same day.”

Each night on the tour became an exhilarating highwire walk for the two artists as they navigated the melodies, grooves and spaces of the songs they were covering, with arrangements that they’d often just cooked up on the way to the gig. Woodward recalls, “Many car rides were full of conversations like, ‘Let’s try this song tonight. What key? Let’s do it.’ That whole tour was just full of surprises. Charlie’s audiences embraced watching an experiment happen onstage.”

In November 2018, the pair recorded what they had been touring and working on all year. In just three days, they laid down the eleven tracks that comprise Music!Music!Music! with Derrek Phillips, drastically reworking songs ranging from the old-world blues of Blind Willie Johnson to the soul of Nina Simone, the wailing sound of Lucinda Williams to the technicolor funk of Terence Trent D’Arby. NPR hailed the duo’s collaboration as a “mind-blowing happy accident,” while All That Jazz described Hunter and Woodward’s chemistry as “enough to ignite a couple dozen Bunsen Burners.”

Hunter and Woodward toured all over the US, the UK and Europe in 2019; not even the agonizing kidney stones that Hunter endured during their first European jaunt could keep them off the road for long. “Charlie was in pain the entire time, but we only had to cancel one show in Berlin because he was in the emergency room,” Woodward recalls. By January 2020, they had accumulated enough material to begin recording their second album I’m a Stranger Here with New Orleans drummer Doug Belote, who had toured with Hunter and Woodward for much of the previous year. But during the initial recording sessions, they got the phone call that no artist wants to get – the first cancellation of a tour of China and Japan due to COVID-19. And as with many touring musicians around the world, this would be just the first in a long string of cancelled tours for them. I’m a Stranger Here includes reinterpretations of everything from early Steely Dan to The Cars and En Vogue to Willie Dixon.